About this event
Exhibition examining sabotage as both historical labour tactic and contemporary artistic strategy. From 19th-century workers deliberately degrading production to today's warehouse staff gaming algorithms, and artists using 'technologies of unmaking' to dismantle oppressive systems. Co-curated by Régine Debatty and the iMAL team in collaboration with collective Total Refusal. Parallel programme includes keynote speeches, panel discussions, film screenings and a closing conference.