Slagwerk: Bobby Beethoven / Emma DJ b2b Suutoo / Hekt / amil raja / PALA10

Brussels: after a beautiful gathering in the church last week, we're embracing the club again, returning to the old Dexia bank building, now reopened as Hexagon, formerly known as Reset, with another carefully crafted line-up. Bobby Beethoven headlines, the Ashland Mines alias formerly known as Total Freedom. Amil Raja joins, fresh off his debut tape Ephemera. Also welcoming Emma DJ again, for a first b2b with SUUTOO. Hekt brings his Numbers debut album 'Forever', with Kiosk resident Pala10 opening the night. Friday October 16th 11 pm - 5 am Tickets 15 / 16 / 18 Presale via Resident Advisor Artwork by Vlad Boyko Supported by Carhartt WIP ✦ Bobby Beethoven ✦ Ashland Mines, better known by his latest moniker Bobby Beethoven, is a multidisciplinary artist, musician and lauded veteran of the global club scene with a career now spanning two decades. Formerly known as Total Freedom, Mines has cultivated a reputation as a sonic risk-taker whose work often exists on the fringes of traditional club music. As a DJ, Mines has performed at international festivals such as Club to Club, Primavera, Sonar, Draaimolen and FFTK in Japan. Mines has been a mainstay at Evian Christ's Trance Party series since it’s inception and regular at major clubs like Fabric London, WWW Tokyo, and Berghain. His practice spans well beyond the conventional, blending art and fashion. His career has focused on collaboration and community building, with his long list of high-profile collaborators including Isa Genzken, Kelela, Jason Moran, Arca, Lizzi Bougatsos and Ryan Trecartin. He has also soundtracked numerous runway presentations from brands like Telfar, Hood By Air, Diesel, Helmut Lang and Mugler. Beyond his live performances, Mines has a notable curatorial and institutional presence. In 2012, he curated the performance series Blasting Voice at Suzanne Geiss Company and in 2016 served as a creative director for the 12-part record project titled Anthem for the 9th Berlin Biennale.